Just wrapping up the acoustic action series with a few final thoughts on split saddles, shims, and break-angles. This will see you set to adjust pretty most acoustic guitars.
Read MoreFirst time you encounter a Takamine Palathetic pickup, you’re all, like, “Woah! Dude!? What gives?”
Yeah, it’s a bit weird-looking compared to most other under-saddle transducer pickups but there’s method behind Takamine’s madness.
Check it out… (Dude)…
Read MoreNormally, Id recommend a bone saddle as a good upgrade for an acoustic instrument. However, here’s a rare instance where I’d advise against bone. Takamine-style integrated pickups don’t always play nicely with bone saddles.
Find out more…
Read MoreLowering the action on an acoustic guitar is generally a (relatively) straightforward task.
Unless, of course, your guitar has a Takamine-style ‘integrated pickup’. Then you need to regroup.
Get the low-down…
Read MoreElectric guitar pickups turn string vibrations into electricity. So do the piezo pickups often used in acoustic. The only difference is the way they do it.
We’ll talk more about the properties and problems of different acoustic pickups over the next few weeks so, for now, a piezo primer…
Read MoreThis is an acoustic guitar bridge and there’s something wrong with this picture. Well, the picture’s ok, but there’s definitely a problem with the guitar.
You can see how low the saddle is. The string’s have no ‘break’ angle over it—that first string sits almost horizontally on the saddle.
This means the strings impart very little downward pressure to the saddle. No downward pressure means that much of the strings’ vibration is lost rather than being transferred into the guitar top (which is what provides most of your tone and volume with an acoustic instrument). Poor tone and poor sustain.
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