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Haze Bassmaster and Radio Nova

Haze Bassmaster 6

Haze Bassmaster 6

The time has come. Tomorrow morning (Monday 16th July), I'll be down with the lovely people in Radio Nova to present the Haze Bassmaster 6 to its new owner, Greg. Greg won Nova's Rocktober competition and his prize was a custom, hand-built instrument from Haze Guitars. After some discussions, the Haze Bassmaster 6 (with a few tweaks) was decided upon.

Thirty inches and six strings. The Bassmaster is a wonderful, quirky, beast with a tone that'll get you noticed. This one looks great with a lovely ash body peeking through that burst. Nice. You can check out the build process for the Nova Bassmaster if you like or you can read a little more about the Haze Bassmaster 6.

More images to come but do tune in to Pat Courtney on Nova tomorrow morning (100FM) and you might get to hear a bit more. Hurrah!

Nova Guitar - Progress

custom guitar finishing

Let's see what's happening on the Radio Nova prize winner's guitar.

Last time around, we saw the neck completed—it was cut, shaped, carved, fretted and so on. That and the body were sanded.

A lot. Finish-prep really builds those arm muscles. There are a number of sanding stages, each with a slightly finer grit and each involving a lot of inspection for little imperfections in the wood that will translate into bigger imperfections in the finish.

Finally, though, it's ready for some finish.

Finishing schedules vary depending on what you're working on, what you're using, what effect you're trying to achieve, and exactly seventy-three other factors. Well, more or less. What I'm getting at, though, is that there isn't a definitive way of going about 'finishing a guitar'. With that in mind, let's take a look at how this Bassmaster has been finished.

As the body is a nice piece of ash, I've decided to accentuate the grain a little. Some creative grain-filling will do the job.

Grain-filling, by the way, is necessary on certain woods in order to achieve a smooth, flat finish. Many woods (ash, for instance) are considered 'open pore' woods. This means that the grain pattern tends to have a lot of tiny holes or pores. If these aren't filled, the finish applied will simply sink into the pores and won't allow that perfect gloss that many like to see on their guitar.  The grain doesn't have to be filled and leaving it unfilled is perfectly acceptable if that's the effect you're going for. Here, it's not.

I (usually—see above about schedules) shoot a sealer coat onto the wood before filling the grain as that tends to make it a little easier to manage filling. After grain-filling, I carefully remove the excess filler and let it dry. Then I seal that in too. That's the stage you see in the first image above.

guitar finishing ireland
instrument finishing

Now to take some of that pale look off the wood and warm things up a little. A coat of amber-tinted lacquer will take care of that quite nicely.

As this instrument will be a 'black-burst', I've hit the edges first with some black pigmented lacquer. I get these coloured first, before moving on to the top and back and the actual burst.

custom sunburst guitar finishing

Incidentally, the reason you're seeing the back of the guitar in all of these shots is that I'm spraying this in the old Fender style. On the front of the guitar are three nails that support it—raised—above a turntable. When spraying, I do the front first and then flip it to do the back. It's at this point I can more easily take a photo.

Now the money-shot. The burst has been applied to the body. For any readers who don't know what the hell I'm talking about with all this 'burst' talk, it's a method of applying finish with a gradual fade from one colour to another. Burst is short for 'sunburst' a term coined (I think) early in the last century. There are many kinds of sunburst finish and different manufacturers have different styles and methods but the most common are one and two graduating colours from a lighter centre (which, make what are called two or three-colour bursts).

In this case, we have a two-colour burst: Light amber at the centre graduating to black. A black-burst.

Nice.

Haze custom guitars bassmaster

We'd better not finish up without a word about the neck. This neck has a dark, ebony fretboard. Couple that with this headstock and we've got a nice, Spinal Tap, none-more-black thing going on.

A silver Haze logo and a Bassmaster 6 logo applied and we're good to coat over with clear lacquer.

And that's where we're up to. This was all completed a while ago and is sitting, waiting for the lacquer to properly cure. At that point, I can wet-sand back the finish on neck and body before buffing the hell out out it to get things nicely glossy.

In the meantime, there are a few smaller jobs like cutting the pickguard (a custom shape so no easy route of buying something off-the-peg).

What should be the final update in this series soon. Stay tuned.

Nova Guitar - Progress

Nova Bassmaster body progress

Nova Bassmaster body progress

Time for an update on the Nova Bassmaster. I say 'time' but what I actually mean is 'incredibly overdue'. Sorry about that but, when things get busy, sometimes blog posts and updates fall behind.

Rest assured though, that progress on the Bassmaster has been… well… progressing. The image on the left shows the body with the additional control cavities cut.

Also new since the last update is the neck pocket. In common with the Haze Blue Collar, this instrument also has the neck pocket cut at a slight angle (about 2°). It's not strictly necessary on this bass but doing so allows me to get a little more break angle from the strings over the bridge. This improves the tone and sustain and helps keep everything in place down there.

Most of the work since last time, however, has gone into the neck.

Nova Bassmaster Neck 01
Nova Bassmaster Neck 02

The first image above is mainly just the outline where the neck will be cut from this maple blank. You've probably spotted two channels already cut. These are actually going to hold carbon-fibre rods that will help to stiffen the neck and prevent the tension of those six, chunky strings from bowing it too much. The rods are epoxied in place and, as they're carbon-fibre, they don't add any weight to the neck. There will be an adjustable truss-rod too, of course but I thought you might find this interesting.

The image on the right shows the fingerboard being glued to a neck. Yep, those are rubber bands. Actually those are two very, very long rubber bands and they are great for jobs like this. They provide a firm, even pressure that's perfect here. Seriously.

Nova Bassmaster Neck 03
Nova Bassmaster Neck 04

On the left is what we end up with. A flat hunk of maple in a vague neck shape and a flat lump of ebony stuck on top. Incidentally, I've already slotted the fingerboard as it's easier to do that before it's glued in place.

What we need to do is to start shaping things. The overhang of the ebony fingerboard is removed. Then the recessed headstock face is cut. The fingerboard is radiused and I wonder—as I always do at this point—why on earth I would bother to work with a wood as bloody hard as ebony. The reason, of course, is that it's a beautiful looking and sounding wood but, damn, it's hard work.

Nova Bassmaster Neck 06
Nova Bassmaster Neck 07

Fretting time. On the left, you'll see some of the tools I'll use. When I started doing this racket, I hammered all my frets in (old skool). I began to press frets in more and more (mainly as good tools became available to me). Oddly, in the last while, I've been making the move back to hammering more often. Whatever way they go in though, I almost always now use glue too. Glue-in fretting has become pretty popular with repair-guys and smaller builders over the last ten or fifteen years. For good reason, I think. It's not always merited on repair work but I tend to glue frets on most of my own builds. It slows the job a little but I think it's worth it.

There are a number of different methods of glue-in fret jobs for a number of different jobs and builders' preferences. That's possibly a topic for another day though.

Speedy catch-up: Frets glued and clamped until dry. The fret-ends on the edges are brought flush with the sides of the fingerboard so a player won't have to rush to the Lacerated Hand Ward of the nearest hospital while the ends on top of the fingerboard are bevelled at an angle to feel more comfortable. Then, the curve at the back of the neck is roughed in before being more carefully carved. After that, a lot of sanding and it's ready for finishing.

And that's where it is right now. More soon.

Nova Bassmaster Neck 08

Nova Guitar - Progress

Custom Guitar Radio Nova Dublin

So, if you've been following along (of course you have), you'll know that the winner of Radio Nova's Rocktober Win-A-Haze-Custom-Guitar competition is keen to get hold of a Bassmaster—the six-string, short-scale bass. Groovy, indeed.

So, I figure we're overdue a bit of an update on the progress of this build as it makes the transition from hunk of wood, to a fantastic, rocktastic, basstastic, instrument.

As this bass is going to be finished in a snazzy, 'black-burst', I've selected a nice, one-piece ash body. That grain will peek through the finish and look very tasty indeed.

So let's get it moving. The first image above shows the rough-cut body. I marked the shape on the ash blank using the well-worn template you can just see behind (making templates is pretty dull but it's time well spent) and band-sawed close to the outline. This leaves me with a vaguely guitar-shaped bit of timber with reasonably rough edges.

Custom Bassmaster 6
Six-String Custom Bass

Those rough edges are soon taken care of with a router, however. Then the control and tremolo tailpiece cavity are routed (the image on the left). It's starting to look a bit more like a guitar, isn't it?

To my mind, though, it's the rounding over of those sharp corners that really starts to make this look like an actual guitar. I always feel this step (photo on right) is when the wood stops being a bit of a tree and starts being a guitar or bass.

There's still some routing to be done on this. The neck pocket, obviously and the cavity for the rhythm circuit. More on these soon but, for now, I think we'll do some work on the neck.

If you want to keep track of this particular instrument, you can use http://hazeguitars.com/blog/?tag=novabass

Stay tuned…

Bass In Waiting

NovaBassmaster6.jpg

NovaBassmaster6.jpg

Doesn't look like much, does it? Just a few hunks of wood, really. It's going to be a bass in a while.

And, to be more precise about that wood, what we actually have is a hunk of nicely figured ash, a hunk of rock-hard maple and a hunk of darkest, darkest, ebony.

That ash (the biggest bit of wood in the image) will form the body of the Radio Nova Rocktober bass. It's going to be finished in a 'black-burst' effect, with a clear centre, gradually darkening to a black-toned edge. I think that'll look pretty damn cool with this grain peeking out underneath.

The maple will form the neck and the ebony will be slotted for a 30" scale to form the fingerboard (and to carry the black theme up to the headstock).

It's gonna be handsome and no mistake but these lumps of wood are going to impart a great tone too.

Looking forward to getting going on this. Check back soon for more.

The Radio Nova Rocktober Guitar

A little late with this but things have been hectic in the Haze shop lately. However, its time to discuss the guitar I'll be making for the winner of Radio Nova's Rocktober competition (see posts below if you want to catch up). As you'll know if you tuned in for the final, nail-biting, minutes, the number one song in Nova's 500 Countdown was Stairway To Heaven. Greg Dunne was one of those that guessed this and his name was picked from the hat. I met with Greg and a guitar-playing friend, Erin, recently and we got geeky with some instrument-talk.

So what's it gonna be?

Well, the instrument I'll be making and presenting will be a Haze Bassmaster 6.

Cool.

I'm actually really pleased with this as I love these things. The Bassmaster is a six-string, short-scale bass. It's a 30" scale-length bass but it's got a really guitar-like feel to it. It feels very much like a middle-ground between bass and guitar and it's got some great versatility to its playability and its tone.

A little about the specs we've agreed:

The finish will be a toned, black-burst effect so I'm sourcing some nicely figured ash for the body and that grain will look great through the burst. The neck will be maple and the fingerboard, ebony to keep the black theme going. A white/black/white pickguard will be broken by all of those shiny, chromed, control panels and the instrument will be fitted with a vibrato tailpiece and roller bridge.

I think it's going to look great. A little bit like this but with a few changes. What do you reckon?

Haze Bassmaster Radio Nova

Haze Bassmaster Radio Nova

Winning A Custom Guitar: Frequently Asked Questions

Haze Custom Guitars Dublin FAQ

Haze Custom Guitars Dublin FAQ

A proper FAQ about having a guitar or bass custom-made is probably overdue around here. I'll add it to my To Do List and, in the meantime, I'll offer this hastily cobbled together blog post in response to some of the questions I'm getting about the Super Amazing Win A Custom Haze Guitar With Radio Nova's Rocktober 500 Countown (from here on in referred to as Rocktober as that's a lot to type). Naturally enough, I've gotten some queries from people who want to know how it will all work for the ultimate winner and from those who have questions about doing the custom guitar thing in the normal, non-competition route.

Hopefully this will help a little. If you think of something I haven't covered, feel free to shout in the comments and I'll do my best to answer.

Q: What can I win?
A: You can win yourself a completely custom guitar or bass. By that, I mean that you can sit down with me and we can design and specify as much or as little of your guitar as you like. Then I'll build it.

Q: How can I win?
A: Tune in to Radio Nova on 100FM or listen online. Call when they tell you and make a guess at what the number one song in the Rocktober 500 Countdown will be. All correct answers go in a draw to win.

Q: Do you know what the number one song is?
A: Nope. And if I did, I wouldn't tell you. Well, maybe for cash. Or biscuits. It's all moot though. I don't have a clue.

Q: I can play a few chords but I don't have an in-depth knowledge of how capacitor value and no-load potentiometers can be used in a tone control. How can I design a guitar?
A: Don't fret (guitar humour). We can talk capacitors if you like but you can just as easily chat about what guitars you think look cool or sound cool and I'll handle the science bit.

Q: Can you build me an exact copy of <insert famous guitar here>?
A: Not really. Legal issues aside, that sort of misses the point of a 'custom' guitar anyway. This is your chance to get something unique. Now, that said, there's no problem looking at existing guitars to garner some inspiration. Exact copies are out, though.

Q: Did you really make a guitar for Joe Bonamassa?
A: Are you calling me a liar? Sure did. Check it out. You can have one too if you like.

Q: I want a guitar made of jelly, with a Waterford Crystal neck and pickups that can curve space-time in such a way that I can see the Big Bang. Can you do that?
A: What flavour jelly? The honest answer is that I may need to advise on practical considerations as we progress through the design and specification process. I'll do my best to accommodate your craziness but it may not always be possible.

Q: Ha! I've caught you, Hayes! You mean to tell me there are terms and conditions to this?
A: Of course there are terms and conditions. You can check them out on the Rocktober competition page and they'll be here after that's moved on in case you need a reminder.

Q: How long will it take?
A: It depends on the specification you want and the availability of any parts that are needed for your guitar. Custom orders are generally turned around in a few months but I'm estimating around 20 weeks for this to be safe. It most likely will be shorter but could be a little longer if you want something mental.

Q: I live on a small island off the coast of Laois and I need to charter a Lear Jet to meet you for the design process. Will you reimburse me?
A: Nope. You'll have to make your own way, I'm afraid. I might make you a cup of tea though and, let's face it, you'll get a snazzy guitar out of it so it's not all bad.

Q: I reckon that the solid gold guitar and platinum strings I want falls well within budget. Is this ok?
A: Nope. I get to assess the actual realism of costings and final value. I'm not daft.

Q: I never win anything. Can I have a guitar anyway?
A: 'Course you can. And for a surprisingly reasonable wad of cash.

Details: Win A Custom Guitar—HAZE & NOVA

Haze Guitars Radio Nova Custom Instrument CompetitionRadio Nova's ROCKTOBER has begun. That means your chance to win a completely custom guitar or bass has begun. More details are on Nova's site but basically, here's the deal:

Radio Nova are doing their Rocktober 500 Countdown of the best guitar songs ever. You tune in, listen to some great songs and, when you hear their cue to call, phone them on 01 440 4100 and tell them what you think will be number 1. If you're right, you'll be in a draw to win.

Easy, eh?

So, what are you still doing here? Warm up the valves in your wireless and twiddle it to 100FM or listen online.

Win A Custom Guitar - Radio Nova & Haze Guitars

Haze Guitars Radio Nova Custom Instrument CompetitionSo, I told you it was gonna be good.

I'm assuming that a lot of the (Irish) people that read this probably listen to Radio Nova for their fix of great, guitary music. Well, now you've got another reason to tune in.

The teasers have started to air and I can now announce that I've been working with Nova to help spread guitary-goodness.

Next week (first week in October) Nova will be running a fantastic competition for their Rocktober 500 Countdown. It'll have a rather special prize:

A custom Haze guitar or bass.

Yep, the lucky winner will get to design their perfect instrument with me and I'll build it for him or her.

This will be a completely custom instrument. I'll meet with the winner to discuss and decide on specifications and then I'll hack at bits of wood and metal and strings and stuff to make their dream guitar or bass.

Pretty cool, eh?

More details to follow. For now though, if I were you, I'd turn on the radio.